Post by trashcanman on Jan 7, 2014 20:37:32 GMT 2
Remember the other day when The Curmudgeon asked if there was any good pop country and everyone was like "HELL NO!" Well, we were probably right, but I'm picking a controversial one this week to test that theory and suggest that even when they do it right down in Nashville, they still get it wrong.
This country act consisted of three women who wrote their own tunes, played their own instruments, and were not afraid to piss people off. Sounds like good stuff and on occasion it was, but having cultivated an audience of ignorant hicks, maybe acting like Rosie O'Donnell in a Republican or GTFO industry wasn't the best idea when you are thin of skin. Say hello to country music's patron saints of childish martyrdom, The Dixie Chicks.
Yeah, they are that over the top edgy. And wha brought this on? Well, they flew over to the UK on the eve of the Iraq war and unleashed a tirade against the president of these United States on foreign soil. As a result of this, mainstream country radio pulled their support of the band and their career died overnight. The Chicks kicked and screamed First Amendment rights having not read that it only tells them that it is perfectly legal for them to say what they want with no legal repercussions. There is no Amendment that states your music has to be played on any radio station if people don't want to listen to you because of your obnoxious politics.
It took years for the media to stop covering them trying to stoke up interest in an act without an audience -who were now trying embarrassingly to be a rock band- by throwing Grammys at them when their album had sold almost nothing prior (which led to one of them cringe-inducingly directing a Nelson Muntz style "ha ha" to their critics from the stage) and interviewing them about how horrible it is that...I don't know, that their career was built on such a shaky foundation?
Anyways, the music. It wasn't always entirely terrible. It was lame and cutesy, but there was at least one song that captured my interest when it came out. It was the beginning of the Dixie Chicks' flirtations with controversy as it celebrated murder in a...let's say lighthearted manner. I'd have thought that practically naming your band after slavery would be an issue, but no.
I enjoyed this song when it came out because I thought the chorus had a good energy for a modern country tune and I thought it was about time that the genre got back to the darker-tinged storytelling that defined it during its classic eras. Say "Goodbye, Earl".
Funny thing, I thought about this song when the title "Pop Nightmares" came up and just now I watched the video for the first time and it's pretty horrible. Not only does it make murder seem lighthearted, but spousal abuse too. If you need any proof that these ladies were about as authentic as Shannon Tweed's breasts, I'd say it's on display in their trying-too-hard demeanor here. They REALLY make it a chore to try and like them.
This country act consisted of three women who wrote their own tunes, played their own instruments, and were not afraid to piss people off. Sounds like good stuff and on occasion it was, but having cultivated an audience of ignorant hicks, maybe acting like Rosie O'Donnell in a Republican or GTFO industry wasn't the best idea when you are thin of skin. Say hello to country music's patron saints of childish martyrdom, The Dixie Chicks.
Yeah, they are that over the top edgy. And wha brought this on? Well, they flew over to the UK on the eve of the Iraq war and unleashed a tirade against the president of these United States on foreign soil. As a result of this, mainstream country radio pulled their support of the band and their career died overnight. The Chicks kicked and screamed First Amendment rights having not read that it only tells them that it is perfectly legal for them to say what they want with no legal repercussions. There is no Amendment that states your music has to be played on any radio station if people don't want to listen to you because of your obnoxious politics.
It took years for the media to stop covering them trying to stoke up interest in an act without an audience -who were now trying embarrassingly to be a rock band- by throwing Grammys at them when their album had sold almost nothing prior (which led to one of them cringe-inducingly directing a Nelson Muntz style "ha ha" to their critics from the stage) and interviewing them about how horrible it is that...I don't know, that their career was built on such a shaky foundation?
Anyways, the music. It wasn't always entirely terrible. It was lame and cutesy, but there was at least one song that captured my interest when it came out. It was the beginning of the Dixie Chicks' flirtations with controversy as it celebrated murder in a...let's say lighthearted manner. I'd have thought that practically naming your band after slavery would be an issue, but no.
I enjoyed this song when it came out because I thought the chorus had a good energy for a modern country tune and I thought it was about time that the genre got back to the darker-tinged storytelling that defined it during its classic eras. Say "Goodbye, Earl".
Funny thing, I thought about this song when the title "Pop Nightmares" came up and just now I watched the video for the first time and it's pretty horrible. Not only does it make murder seem lighthearted, but spousal abuse too. If you need any proof that these ladies were about as authentic as Shannon Tweed's breasts, I'd say it's on display in their trying-too-hard demeanor here. They REALLY make it a chore to try and like them.